Newjack: Guarding Sing Sing is the story of Conover's rookie year as a guard at Sing Sing. It is a nerve-jangling account of his passage into the storied prison and the culture of its guards—both fresh-faced "newjacks" like Conover and brutally hardened veterans. As he struggles to be a good officer, Conover angers inmates, dodges blows, works to balance decency with toughness, and participates in prison rituals—strip frisks, cell searches, cell "extractions"—that exact a toll on inmates and officers alike.
The tale begins with the corrections academy and ends with the flames and smoke of New Year's Eve on Conover's floor of the notorious B-Block. Along the way, Conover also recounts the history of Sing Sing, from draconian early punishment, to fame as the citadel of capital punishment, to its present status as New York State's "bottom of the barrel" prison.
This audiobook will become a landmark of American journalism—the definitive presentation of the impasse between the need to imprison criminals and the dehumanization of inmates and guards—that almost inevitably takes place behind bars.
"Newjack is an astonishing work by a gifted—and dedicated—journalist. Ted Conover takes us into the dangerous, sad, amusing and instructive soul of one of America's best known prisons." —Tom Brokaw
Most people know it's easier to get into prison than it is to get out. But for a journalist, just getting into Sing Sing, New York's notorious maximum-security prison, isn't easy. In fact, Ted Conover was so stymied by official channels that he took the only way in--other than crime--and became a New York State corrections officer: "I wanted to hear the voices one truly never hears, the voices of guards--those on the front lines of our prison policies, the society's proxies." Newjack is Conover's account of nearly a year at ground zero of the criminal justice system. What it reveals is a mix of the obvious and the absurd, with hypocrisies not unexpected considering that the land of the free shares with Russia the distinction of having the world's largest prison population. As of December 1999, it was projected that the number of people incarcerated in the United States would reach 2 million in 2000.
This is the world Conover enters when he, along with other new recruits, undergoes seven weeks of pseudomilitary preparation at the Albany Training Academy. Then it's off to Sing Sing for the daily grind of prison life. Conover correctly and vividly captures the essence of that life, its tedium interspersed with the adrenaline rush of an "incident" and the edge of fear that accompanies every action. He also details how the guards experience their own feelings of confinement, often at the hands of the inmates:
A consequence of putting men in cells and controlling their movements is that they can do almost nothing for themselves. For their various needs they are dependent on one person, their gallery officer. Instead of feeling like a big, tough guard, the gallery officer at the end of the day often feels like a waiter serving a hundred tables or like the mother of a nightmarishly large brood of sullen, dangerous, and demanding children. When grown men are infantilized, most don't take to it too nicely.And not taking to it nicely often involves violence. Indeed, the constant potential for violence on any scale makes even humdrum assignments dangerous. It's astonishing that more doesn't happen, given that the majority of the 1,800 inmates have been convicted of violent felonies: murder, manslaughter, rape, robbery, assault, kidnapping, burglary, arson. But beneath the simmering rage rests an unexpected sensitivity that Conover captures brilliantly. After encountering a Hispanic inmate with a tattoo of a heartbreaking passage from The Diary of Anne Frank on his back, he writes: "It was easier to stay incurious as an officer. Under the inmates' surface bluster, their cruelty and selfishness, was almost always something ineffably sad." Ultimately, the emphasis of Conover's work is on the toll prison exacts--most immediately on the jailed and their jailers, but also on a society that puts both there in increasing numbers. --Gwen Bloomsburg .
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